Entering the “Jalousies” exhibition by Brice Dellsperger at the Dortmunder Kunstverein, one is immediately immersed in a vibrant exploration of the boundaries of cinema, both in terms of form and genre. The title “Jalousies,” with its French double meaning of “blinds&#8

Fakewhale Log is the media layer of Fakewhale. It explores how new technologies are reshaping artistic practices and cultural narratives, combining curated insights, critical reviews, and direct dialogue with leading voices.