VISUAL DETACHMENT

November 28th Visual Detachment | Fakewhale x SuperRare

“Visual Detachment”: Retina Misconceptions allow Boundless Medium

On November 28th, 2022, Jesse Draxler curated “Visual Detachment” as part of SuperRare’s “Guest Curated Exhibition Series, Issue 7” powered by Fakewhale through the IRL showcase of the collection hosted at the Valuart gallery (Lugano-Paradiso)

“We detach from ourselves, our biases, and preconceived notions of what is and isn’t through engagement, interaction, and immersion. Entering the crypto art space requires this willingness to step further than our current comforts and preferences in order to gaze into the potentiality of the future. This curation represents a spectrum of artists and practices that exemplifies the diverse & limitless conceptual possibilities of the visual medium stretching from the traditional landscape into web3 and beyond.”

__Jesse Draxler

Fakewhale x SuperRare

Presenting “Visual Detachment”: a @SuperRare Exhibition curated by @JesseDraxler.https://t.co/gz305JiTh4

IRL experience at @valuartdotcom starting today.
✉️RSVP: rsvp@valuart.com

Special thanks to @anloremi.

1/2⬇️ pic.twitter.com/0olZnVgLoA
— fakewhale (@fakewhale_xyz) November 28, 2022

“God is typing…” by XCOPY

“That Girl Who Changed Her Name” by Kevin Abosch

“Una inestabilidad constructiva (II)” by Lucas Aguirre

“PEREGRINUS” by Andrea Chiampo

“Rave” by Nikita Diakur

“Behind The Mask, Another Mask” by Jesse Draxler

“Inner Radius” by Skygolpe

“Paper Trail” by Jake Fried

“What is left” by Operator

“Open The Floodgates” by Joe Pease

“Caution” by Iness Rychlik

“aniridia” by Tjo

Discover the full collection on SUPERRARE:

fakewhale

Founded in 2021, Fakewhale advocates the digital art market's evolution. Viewing NFT technology as a container for art, and leveraging the expansive scope of digital culture, Fakewhale strives to shape a new ecosystem in which art and technology become the starting point, rather than the final destination.