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February 12, 2026

How to Lie to a Language Model: The Rhetoric of the Bypass

AI image by Fakewhale.

February 12, 2026

On Images That Remember Without History

Barthes and Debord — AI image by Fakewhale.

February 9, 2026

Barthes and Debord: The Cultural Work of Images in Late Modernity

Exhibition view: In Plain Sight: Photography, Power and Public Space in Britain, Anna Fox, Jermaine Francis, Sunil Gupta, Karen Knorr, MacDonaldStrand, Sarah Pickering, John Stezaker, Bettina von Zwehl, curated by Matèria and Christiane Monarchi, Matèria, Rome.

February 5, 2026

Photography, Power and Public Space in Britain at Matèria, Rome

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Ai Image by fakewhale.

February 12, 2026

How to Lie to a Language Model: The Rhetoric of the Bypass

AI image by Fakewhale.

February 12, 2026

On Images That Remember Without History

Barthes and Debord — AI image by Fakewhale.

February 9, 2026

Barthes and Debord: The Cultural Work of Images in Late Modernity

Exhibition view: In Plain Sight: Photography, Power and Public Space in Britain, Anna Fox, Jermaine Francis, Sunil Gupta, Karen Knorr, MacDonaldStrand, Sarah Pickering, John Stezaker, Bettina von Zwehl, curated by Matèria and Christiane Monarchi, Matèria, Rome.

February 5, 2026

Photography, Power and Public Space in Britain at Matèria, Rome

AI image by Fakewhale.

February 5, 2026

Post-Trial. Reputation, Consensus, and Low-Resolution Truth in the Age of Distributed Trust

AI image by Fakewhale.

February 4, 2026

Aesthetics of Prediction: When Taste Is Calculated Before It Exists

Latest Posts

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Ai Image by fakewhale.

February 12, 2026

How to Lie to a Language Model: The Rhetoric of the Bypass

AI image by Fakewhale.

February 12, 2026

On Images That Remember Without History

Barthes and Debord — AI image by Fakewhale.

February 9, 2026

Barthes and Debord: The Cultural Work of Images in Late Modernity

Exhibition view: In Plain Sight: Photography, Power and Public Space in Britain, Anna Fox, Jermaine Francis, Sunil Gupta, Karen Knorr, MacDonaldStrand, Sarah Pickering, John Stezaker, Bettina von Zwehl, curated by Matèria and Christiane Monarchi, Matèria, Rome.

February 5, 2026

Photography, Power and Public Space in Britain at Matèria, Rome

AI image by Fakewhale.

February 5, 2026

Post-Trial. Reputation, Consensus, and Low-Resolution Truth in the Age of Distributed Trust

AI image by Fakewhale.

February 4, 2026

Aesthetics of Prediction: When Taste Is Calculated Before It Exists

EXPLORE ↓

DIALOGUES

Armatura, 2013, Carpentry wood and iron, Installation, variable size (Site-specific), Fondazione Pescheria, Pesaro

Between Precariousness and Structure: Fakewhale in Dialogue with Giovanni Termini

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Rescatarse - Lucas Aguirre - fakewhale log

DIALOGUES KARMACOWBOY

Lucas Aguirre in conversation with karmacowboy

DIALOGUES JESSE DRAXLER

In conversation with Mario Klingemann/Quasimondo

Still frame from PXL DEX by Kim Asendorf, 2025

Inside PXL DEX: How Kim Asendorf Tokenized the Building Blocks of Digital Imagery

crystalline work (arctic) 10.1.12.0, John Gerrard

The Prismatic Generation: John Gerrard’s Crystalline Work on Feral File

Roger Dickerman

24 Hours of Art with Roger Dickerman

October 25, 2022

DIALOGUES JESSE DRAXLER

In conversation with David Allen

Lan Party (AI visual), Donald Gjoka, 2024

Donald Gjoka in Dialogue with Fakewhale: COEVAL Magazine, Creativity, and the New Underground

January 8, 2024

The Sigg Art Foundation: Curating Global Cultural Synergies

DIALOGUES

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The screen is a muscle, Artissima 2025. Curated by Luca Lo Pinto. Gallerie d’Italia – Torino, 31 October – 2 November 2025. Photo: © Perottino-Piva-Castellano-Bergadano/Artissima.

December 2, 2025

Luca Lo Pinto, The Screen is a Muscle. In conversation with Matteo Giovanelli

SAKURA STAGE SHIBUYA ( crédit NONOTAK Noemi Schipfer & Takami Nakamoto )

December 1, 2025

Fakewhale in Dialogue with NONOTAK Studio

Jesse Draxler, screenshots from the long-format video of the drive that will be featured at the event.

November 24, 2025

Machine of Loving Grace: The Intimate Aesthetics of Draxler’s Journey

Wonderland | 0xB550005C939DA65Bf3510d47Ef43212Af59E1E72 | 13.8KB | April 2024

November 24, 2025

Sovereign Art Pieces

REVIEWS | Selected Exhibitions

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Exhibition view: In Plain Sight: Photography, Power and Public Space in Britain, Anna Fox, Jermaine Francis, Sunil Gupta, Karen Knorr, MacDonaldStrand, Sarah Pickering, John Stezaker, Bettina von Zwehl, curated by Matèria and Christiane Monarchi, Matèria, Rome.

February 5, 2026

Photography, Power and Public Space in Britain at Matèria, Rome

Exhibition view: TULPA. SALVATION PROTOCOL, Irene Mathilda Alaimo, Luca Campestri, Giacomo Erba, Gabriele Longega, Beatrice Mika Sakaki, curated by Anastasia Pestinova, Fondazione Spazio Vitale, Verona.

February 2, 2026

TULPA. SALVATION PROTOCOL at Fondazione Spazio Vitale, Verona

Exhibition view: Palimpsest - Stratifications in Time, Meletios Meletiou, curated by Alessandro Cazzola, NM Contemporary, Monte Carlo.

January 18, 2026

Meletios Meletiou, Palimpsest – Stratifications in Time at NM Contemporary, Monte Carlo

Exhibition view: Doubled presence in a disembodied space, Anzhelika Palyvoda, Céline Struger, Sofiia Yesakova, curated by Markus Sworcik and René Stiegler, TROST, Graz.

January 18, 2026

Anzhelika Palyvoda, Céline Struger, Sofiia Yesakova, Doubled presence in a disembodied space at TROST, Graz

Exhibition view: Ancient AI, Ran Slavin, curated by Sivan Sebbag Zelensky, Hamivne, Tel Aviv. Ph: Harel Gilboa

January 10, 2026

Ran Slavin, Ancient AI, at Hamivne, Tel Aviv

Exhibition view: companion, Bogna Luiza Wisniewska, SIC, Helsinki

January 10, 2026

Bogna Luiza Wisniewska, companion, at SIC, Helsinki

REVIEWS

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Exhibition view: In Plain Sight: Photography, Power and Public Space in Britain, Anna Fox, Jermaine Francis, Sunil Gupta, Karen Knorr, MacDonaldStrand, Sarah Pickering, John Stezaker, Bettina von Zwehl, curated by Matèria and Christiane Monarchi, Matèria, Rome.

February 5, 2026

Photography, Power and Public Space in Britain at Matèria, Rome

Exhibition view: TULPA. SALVATION PROTOCOL, Irene Mathilda Alaimo, Luca Campestri, Giacomo Erba, Gabriele Longega, Beatrice Mika Sakaki, curated by Anastasia Pestinova, Fondazione Spazio Vitale, Verona.

February 2, 2026

TULPA. SALVATION PROTOCOL at Fondazione Spazio Vitale, Verona

Exhibition view: Palimpsest - Stratifications in Time, Meletios Meletiou, curated by Alessandro Cazzola, NM Contemporary, Monte Carlo.

January 18, 2026

Meletios Meletiou, Palimpsest – Stratifications in Time at NM Contemporary, Monte Carlo

Exhibition view: Doubled presence in a disembodied space, Anzhelika Palyvoda, Céline Struger, Sofiia Yesakova, curated by Markus Sworcik and René Stiegler, TROST, Graz.

January 18, 2026

Anzhelika Palyvoda, Céline Struger, Sofiia Yesakova, Doubled presence in a disembodied space at TROST, Graz

Exhibition view: Ancient AI, Ran Slavin, curated by Sivan Sebbag Zelensky, Hamivne, Tel Aviv. Ph: Harel Gilboa

January 10, 2026

Ran Slavin, Ancient AI, at Hamivne, Tel Aviv

Exhibition view: companion, Bogna Luiza Wisniewska, SIC, Helsinki

January 10, 2026

Bogna Luiza Wisniewska, companion, at SIC, Helsinki

GALLERY

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Bengt Tibert, Video still from "straight lines"

October 9, 2025

DIALOGUES GALLERY

Bengt Tibert, BODIES OF WORK

‘Half Cheetah’ by James Bloom (2025)

September 25, 2025

DIALOGUES GALLERY

Fakewhale in dialogue with James Bloom

Ian Margo, d/wb project, installation view, 2025

September 22, 2025

DIALOGUES GALLERY

Ian Margo: d/wb project Abstraction, Mediation, and the Spiral of Technoculture

Metronomes - 2025-05-25T204242.413

Andreas Rau, Symphony for n Metronomes: A shared time, a distributed gesture

Jan Robert Leegte, (image by Galya Feierman)

FAKEWHALE in conversation with Jan Robert Leegte

C2ASH (selected outputs), Jesse Draxler, Fakewhale Gallery x Verse, May 2025

Fakewhale Gallery Presents C2ASH by Jesse Draxler on Verse

Insights

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Ai Image by fakewhale.

February 12, 2026

How to Lie to a Language Model: The Rhetoric of the Bypass

AI image by Fakewhale.

February 12, 2026

On Images That Remember Without History

Barthes and Debord — AI image by Fakewhale.

February 9, 2026

Barthes and Debord: The Cultural Work of Images in Late Modernity

AI image by Fakewhale.

February 5, 2026

Post-Trial. Reputation, Consensus, and Low-Resolution Truth in the Age of Distributed Trust

AI image by Fakewhale.

February 4, 2026

Aesthetics of Prediction: When Taste Is Calculated Before It Exists

A photo showing a hand holding a RAM memory module against a neutral background. AI image by Fakewhale.

January 22, 2026

The End of Function

A hand scrolling through Instagram Reels pauses to watch an AI creator speaking on screen. AI image by Fakewhale.

January 16, 2026

Omniscience on Demand: AI and the Collapse of the Learning Process

A hand scrolling through Instagram Reels pauses to watch an AI creator speaking on screen. AI image by Fakewhale.

January 14, 2026

After Evidence: Trust, Images, and the End of Visual Certainty

January 1, 2026

The Artist as Channel

Fakewhale Studio, AI-generated image, 2025

December 23, 2025

When AI Stops Assisting and Starts Defining Reality

AI-generated image created by Fakewhale Studio, OUTPUT y 80

December 17, 2025

Born Inside the Tool: When Intelligence Stops Arriving and Starts Forming Us

AI-generated image created by Fakewhale.

December 11, 2025

What Remains Unsaid: A Relational Approach to Contemporary Art

Lorna Mills

October 30, 2023

Lorna Mills: Animated Mosaic Collages & the Art of GIF

November 27, 2023

FW LOG: Editorial Feed No. 007

ART MARKET INSIGHTS

Ab.jpeg | FW CROSS

André Malraux in his studio, 1950, photograph by Maurice Jarnoux, Paris Match, composing his Musée Imaginaire

Thinking in Images: André Malraux and the Museum Without Walls

Insights

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Ai Image by fakewhale.

February 12, 2026

How to Lie to a Language Model: The Rhetoric of the Bypass

AI image by Fakewhale.

February 12, 2026

On Images That Remember Without History

Barthes and Debord — AI image by Fakewhale.

February 9, 2026

Barthes and Debord: The Cultural Work of Images in Late Modernity

AI image by Fakewhale.

February 5, 2026

Post-Trial. Reputation, Consensus, and Low-Resolution Truth in the Age of Distributed Trust

AI image by Fakewhale.

February 4, 2026

Aesthetics of Prediction: When Taste Is Calculated Before It Exists

A photo showing a hand holding a RAM memory module against a neutral background. AI image by Fakewhale.

January 22, 2026

The End of Function

A hand scrolling through Instagram Reels pauses to watch an AI creator speaking on screen. AI image by Fakewhale.

January 16, 2026

Omniscience on Demand: AI and the Collapse of the Learning Process

A hand scrolling through Instagram Reels pauses to watch an AI creator speaking on screen. AI image by Fakewhale.

January 14, 2026

After Evidence: Trust, Images, and the End of Visual Certainty

January 1, 2026

The Artist as Channel

Fakewhale Studio, AI-generated image, 2025

December 23, 2025

When AI Stops Assisting and Starts Defining Reality

AI-generated image created by Fakewhale Studio, OUTPUT y 80

December 17, 2025

Born Inside the Tool: When Intelligence Stops Arriving and Starts Forming Us

AI-generated image created by Fakewhale.

December 11, 2025

What Remains Unsaid: A Relational Approach to Contemporary Art

EXPLORE ↓

ICONS

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AUTHORS

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Photo courtesy of the artists

December 30, 2025

AUTHORS FAKEWHALE

Tram0 and the Craft of Infrastructure in Hong Kong

Post Disaster, Unfinished Barricade: A Space for Borderline Hesitations, 2024, Commissioned by Malta Biennale 2024, Courtesy of the artist, Photo by Julian Vassallo

October 28, 2025

The Counterpower of Piracy: Malta, the Mediterranean, and the Politics of the Sea by Sofia Baldi Pighi

Exhibition’s view, Offline Gallery, NYC, 2025

October 13, 2025

Ghosts, Holograms, and AI: Emi Kusano’s EGO in the Shell

Installation view Sandra Mujinga – Skin to Skin, Stedelijk Museum Amsterdam, 2025. Photo: Peter Tijhuis

September 26, 2025

Sandra Mujinga, Skin to Skin at Stedelijk Museum, an Interview by Matteo Giovanelli

AUTHORS

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Rehearsal for Maria Hassabi’s "PLASTIC" (2015), The Museum of Modern Art, October 30, 2015. Photograph © 2015 The Museum of Modern Art, New York. Photo: Julieta Cervantes

Programmed Bodies: Contemporary Performance Between Aesthetics and Technological Embodiment

But Can It Run Doom, 2025, Janne Schimmel, Between Modder and Mud, Photo Credit : Adriaan Hauwaerts

Tech That Won’t Die, No Matter How Hard Capitalism Tries

Photo courtesy of the artists

December 30, 2025

AUTHORS FAKEWHALE

Tram0 and the Craft of Infrastructure in Hong Kong

Installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025; image: Eberle & Eisfeld. From front to back: Anawana Haloba, Looking for Mukamusaba – An Experimental Opera, 2024/25. © Anawana Haloba; Sammlung Hartwig Art Foundation; Margherita Moscardini, The Stairway, 2025. © Margherita Moscardini; Gian Marco Casini, Livorno; Armin Linke, Negotiation Tables, 2025. © Armin Linke

September 8, 2025

The Power of Cute: Review of the 13th Berlin Biennale by Sofia Baldi Pighi

Cao Shu | Corner of The Park - Prologue | 10’16” | 4-channel 3D render moving image installation | 2018 | Image source, OCAT Shenzhen exhibition Fiction Art

AUTHORS INSIGHTS

Curator Spotlight #5: Cao Shu

Casper Dillen / Small Sample Size Theatre_Mouth Wash and Razor Blades_The Place_London_18 January 2025__Performance_ production photography by Xinyue Tao

February 11, 2025

Mouth Wash and Razor Blades: A Playground of the Surreal

January 29, 2025

Towards a New Critical Perspective: Fakewhale Presents “Authors’ Insights”

Exhibition’s view, Offline Gallery, NYC, 2025

October 13, 2025

Ghosts, Holograms, and AI: Emi Kusano’s EGO in the Shell

Installation view Sandra Mujinga – Skin to Skin, Stedelijk Museum Amsterdam, 2025. Photo: Peter Tijhuis

September 26, 2025

Sandra Mujinga, Skin to Skin at Stedelijk Museum, an Interview by Matteo Giovanelli

YOSHIROTTEN’s solo show FUTURE NATURE II at Kirishima Open-Air Museum, Kagoshima (2024). Photograph by Yasuyuki Takaki.

YOSHIROTTEN: Overflow and Motion in a Hyper-Optimized World

AUTHORS

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FAKEWHALE STUDIO

February 19, 2025

Fakewhale STUDIO

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